Psychoanalysis in Film Studies
Showing 1-10 of 11 results (2 pages in total)
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Shame and Sexuality
Psychoanalysis and Visual Culture
- Edited by Claire Pajaczkowska, and Ivan Ward.
Published February 2008
Why do human beings feel shame? What is the cultural dimension of shame and sexuality? Can theory understand the power of affect? How is psychoanalysis integral to cultural theory?
The experience of shame is a profound, painful and universal emotion with lasting effects on many aspects of public…
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Enjoy Your Symptom!
Jacques Lacan in Hollywood and Out
- By Slavoj Zizek.
Published September 2007
The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch.
Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie…
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Projected Shadows
Psychoanalytic Reflections on the Representation of Loss in European Cinema
- Edited by Andrea Sabbadini.
- Foreword by Glen O. Gabbard.
Published March 2007
Projected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom…
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The Women Who Knew Too Much
Hitchcock and Feminist Theory
- By Tania Modleski.
Published September 2005
First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of…
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The Couch and the Silver Screen
Psychoanalytic Reflections on European Cinema
- Edited by Andrea Sabbadini.
- Foreword by Laura Mulvey.
Published May 2003
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a…
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Undressing Cinema
Clothing and identity in the movies
- By Stella Bruzzi.
Published November 1997
From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links…
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First Things
Reading the Maternal Imaginary
- By Mary Jacobus.
Published December 1995
In First Things Mary Jacobus combines close readings with theoretical concerns in an examination of the many forms taken by the mythic or phantasmic mother in literary, psychoanalytic and artistic representations.
She carefully explores the ways in which the maternal imaginary informs both…
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Identification Papers
Readings on Psychoanalysis, Sexuality, and Culture
- By Diana Fuss.
Published September 1995
The notion of identification, especially in the discourse of feminist theory, has come sharply and dramatically into focus with the recent interest in such topics as queer performativity, cross-dressing, and racial passing. Identification Papers is the first book to track the evolution of…
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Lost Angels
Psychoanalysis and Cinema
- By Vicky Lebeau.
Published November 1994
Re-reading Freud's writing on femininity, fantasy and social identification, Lost Angels expands the psychoanalytic framework within which contemporary debates regarding fantasy and spectatorship have been taking place.
Vicky Lebeau takes Freud's preoccupation with femininity and feminine fantasy…
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