Psychoanalysis in Film Studies

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Organs without Bodies

On Deleuze and Consequences

Organs without Bodies
  • By Slavoj Zizek.

Published April 2012

With a new introduction by the author In this deliciously polemical work, a giant of cultural theory immerses himself in the ideas of a giant of French thought. In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself…
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Midlife Transformation in Literature and Film

Jungian and Eriksonian Perspectives

Midlife Transformation in Literature and Film
  • By Steven F. Walker.

Published November 2011

In this book, Steven F. Walker considers the midlife transition from a Jungian and Eriksonian perspective, by providing vivid and powerful literary and cinematic examples that illustrate the psychological theories in a clear and entertaining way. For C.G. Jung, midlife is a time for personal…
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Fight Club

Fight Club
  • Edited by Thomas Wartenberg.

Published September 2011

Released in 1999, Fight Club is David Fincher’s popular adaption of Chuck Palahniuk’s cult novel, and one of the most philosophically rich films of recent years. This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places…
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Fantasy

Fantasy
  • By Jacqueline Furby, and Claire Hines.

Published September 2011

Fantasy addresses a previously neglected area within film studies. The book looks at the key aesthetics, themes, debates and issues at work within this popular genre and examines films and franchises that illustrate these concerns. Contemporary case studies include: Alice in Wonderland (2010)…
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Music, Movies, Meanings, and Markets

Cinemajazzamatazz

  • By Morris Holbrook.

Published June 2011

Music, Movies, Meanings, and Markets focuses on macromarketing-related aspects of film music in general and on the cinemusical role of ambi-diegetic jazz in particular. The book examines other work on music in motion pictures which has dealt primarily with the traditional distinction between…
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Shame and Sexuality

Psychoanalysis and Visual Culture

Shame and Sexuality
  • Edited by Claire Pajaczkowska, and Ivan Ward.

Published February 2008

Why do human beings feel shame? What is the cultural dimension of shame and sexuality? Can theory understand the power of affect? How is psychoanalysis integral to cultural theory? The experience of shame is a profound, painful and universal emotion with lasting effects on many aspects of public…
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Enjoy Your Symptom!

Jacques Lacan in Hollywood and Out

Enjoy Your Symptom!
  • By Slavoj Zizek.

Published October 2007

The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch. Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie…
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Projected Shadows

Psychoanalytic Reflections on the Representation of Loss in European Cinema

Projected Shadows
  • Edited by Andrea Sabbadini.
  • Foreword by Glen O. Gabbard.

Published March 2007

Projected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom…
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The Women Who Knew Too Much

Hitchcock and Feminist Theory

The Women Who Knew Too Much
  • By Tania Modlesk, and Tania Modleski.

Published September 2005

First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of…
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Organs without Bodies

Deleuze and Consequences

Organs without Bodies
  • By Slavoj Zizek.

Published October 2003


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